“No Man of Woman Born,” by Ana Mardoll

No Man of Woman Born, by Ana Mardoll, is an anthology of reworked short fairy tales/fantasy stories about dragons and swords stuck wantonly into stones and prophecies, most of which are gender based. Mardoll is bisexual, on the ace-spectrum, transgender, and autistic and these stories very much reflect xer lived experience, assuming that their lived experience also had dragons and prophecies and polyamorous warrior clans, etc. Xie is also a very good writer. I should note that I received this as a review copy, and that I’ve known Ana for quite a while and am friends with xer. I haven’t received any compensation for this review, and my opinions are honest and my opinions alone. They’re colored by my friendship with xer, of course, but they’re still true opinions. Reworkings of traditional fairy tales are nothing new. There’s a million anthologies with their own spins on fairy tale retellings. They’re set in outer space, they’re set in modern times, everyone’s a witch of some sort, the bad guys are redeemed or are secretly working for the benefit of the good guys, there’s a bureau of fairy tale characters investigating other fairy tale characters, everything is feminist either earnestly or satirically….

“From a Certain Point of View,” Anthology
2017 Publication , 3 star , anthology / April 18, 2018

“From a Certain Point of View” is a Star Wars anthology covering the experiences of characters who are predominantly minor (but also Yoda is in there, is he really a minor character?). The title, of course, riffs on Obi-Wan Kenobi’s “from a certain point of view” line, the one that tries to spackle deep meaning over George Lucas’ make-it-up-fast writing. Vader as Luke’s (and Leia’s) father, of course, was a twist ending that he didn’t think of during the first movie. Kenobi is, narratively, an unreliable witness. Most people are. “From a Certain Point of View” shows us a bunch of other witnesses, to various things, that may or may not be reliable. Like most anthologies, it’s a little uneven. The good stories were very good, though. A few standouts include: “The Sith of Datawork” by Ken Liu, which explains why the escape pod containing the Death Star Plans was jettisoned without being immediately recalled, and goes into institutional paperwork and how it can really gum up an operation. It’s a good, fun story that digs into what really makes the Empire move: data and forms and paperwork, filled out in triplicate. “Stories in the Sand,” by Griffin McElroy, which…